Recent Works On Paper. With Paper. Whatever.

Various permutations of block printing and embossing. The embossing made my brain tingle a little more than the printing, but where they are combined, that was pretty sweet, too. Not as easy to see in these photos, which were made with a telephone.

A heap of attempts. Some were more rewarding than others. It is difficult to tell if the ink is dorked, it was just too hot in the studio, or I don't know what I am doing. Or, you know, All of the Above.

These are cool enough, I figure they deserve large size! The two images were made from the same embossing plate, but the 2nd one had more carving done to it before going through the press. 

The purple is the same plate, block printed. I think this was one of the first prints I pulled with block printing ink. I tried intalio first to see if I liked it (yeah, yeah, I *know* that is not correct usage!) and I did like it, but the photos of those prints are pretty much impossible to decipher. 

New bookmark today!

Here's one for you cephalopod fans ...

The major cuts on this were done on the scroll saw, and the interior / fine cuts were done with the hand saw. Definite good marks for speed and a clean edge. The drawback to using the scroller for this is that it uses the middle inch of a 6" blade -only- leaving most of the teeth totally unused by the time the blade is worn down to the point where I can't use it on the scroll saw anymore. I did not try using that blade in the hand saw afterward, mostly because I have a good sense of what happens when you have a blade that's sharp at both ends and dull in the middle.

Hint: It's not something good!

In an act of optimism, I am leaving my set-up set up so that when I get back from running errands, I can get right back to it. There is another design in my sketchbook waiting to be released into the world! I am really looking forward to that beautiful day in the future when my obsessions get rooms of their own, and I don't have to put away my toys if I want to eat dinner.

Art Sale (finally)

I am going to be taking nearly four years of watercolor and ink paintings to the flea market and try to sell them to holiday gift-hungry strangers in the weekends between now and the end of December. However! If YOU are interested in any acquiring of my art for yourself or someone you know, now's a good time, because I'm in the mood to get it out of the house.

Everything on paper is matted by me (so, not professionally, although I do have a proper mat board cutter and the skills to make it go), and the dimensions can be / will be provided. As far as I know, everything I'm taking has already been posted in the art blog, but I'm going to try to put up a slide show of the work I'm taking to sell, so it can be seen in its fancy, matted, ready-to-frame glory. For the record -- the pictures of the art won't be amazing because my camera isn't a "real" camera, it's a point and shoot with a fixed lens, so everything looks a little curved in the middle. Maybe if I sell ALL the paintings, I can buy a grown-up camera!

Oh, to be clear -- these are all original works. There are no copies, no prints, no clever forgeries. One of a kind only.

partial credit, I demand it!

Tried to post this stuff a few days ago, did not manage to do so, and decided to post it now, before I forget again for the rest of eternity. Of course, it's a holiday, so probably no one will see it. C'est la Vie!


So.... these photos are stubborn about placement! Wow.



This tiny strip is actually a fabric thing about five feet long, maybe a foot wide. The black silhouette region was printed by IKEA, I'm filling in the colors myself. I stitched all around where the black meets the white, because I'm going to fill it with pillow stuffing and turn it into a sort of low relief type thing.

All these sheets are watercolor paintings I did three years ago. I'm getting them into mat board finally this week, as I'm taking everything I can carry with a reasonable expectation of not damaging it, and trying to sell stuff at the flea market this weekend. Hoping the holiday shopping frenzy is in full swing.



Most of what's kept me busy since then has been the framing stuff. Today I matted six of the large pieces, and prepped a bunch more for tomorrow. It's amazing how long this stuff takes me. I think I might move a little faster if I work on a lower work surface (will try it tomorrow), but they sure look nice when they're done. I even shelled out for the nice poly sleeves to put them in. Pics coming real soon! Trying not to get distracted, but if I get actual daylight during the day tomorrow, then pics tomorrow.

Waiting For Glue To Dry

Since I'm waiting for glue to dry in a non-euphemistic, non-metaphorical way, I thought I'd muse on some of the lessons I've learned from this project. It's not over, but since I just bribed myself to work on with an offer of a trip to the office supply if I finish it today, it must be close ('cause it's back to school sales time, squee!)...

One thing I've learned is, this is probably a prototype. I didn't start with a plan, I started with some nice plywood from the 50¢ scrap bin at the hardware store, and some shards of glass I'd painstakingly removed from a broken window here in the apartment. I had many different ideas along the way, and it moved forward very haltingly. And slowly. Part of the slowness was not actually knowing what came next, and having to have a good long think about that. I think the longest was almost a month.

If I had to build it again, by drawing a plan from what I've got now, and making a shopping list, and doing this like a proper project.... it'd most likely be a weekend project, or even just a day project, depending on what I chose to finish the wood / materials. I may test this bold claim. The closer it is to finished, the more sure I am that I can do better, faster, and with greater satisfaction at the end. I can't really 'save' this one, but I could go for a mulligan and be happy with what I get out of it. What I can't do it for is cheaper – this one is constructed almost entirely out of stuff I already had on hand, or clearance bin items. The only things I paid full price for were hardware (hinges, knob, latch).

Another thing I (re)learned is that prototypes are totally worth it. Although maybe next time I should do it in cardboard or something. In art we call that a maquette, or a 'mock up' if we're not being pretentious art school dorks.

In no particular order, further learned things:

• cut the glass first, cut the holes for the glass after
• hot glue does NOT work like caulking (don't ask)
• slate is surprisingly hard to find
• have a variety of fastening hardware on hand
• there's a reason some kinds of hardware come in a minimum of 100 quantity
• sand before sawing, between coats of paint, and after pulling the splinter out
• if you think something will make a good picture, it probably will
• measuring is not just for chumps
• a project that won't end is hugely inspirational - I'm FULL of other ideas now!
• cheap wood clamps are even worse than you think they'll be

Perhaps the most painful part of all this were the times I didn't have the right tool for something. Doing projects without a fully equipped shop can be fun, especially when you manage to work around a tool or process. A person can feel quite clever when Making Do. (See my contour gauge a few posts back...) but... it's those times when I'm mis-using a tool that I feel like ass. When I'm using a tool for something it was simply not intended for, and I know it. Or when I know without doubt that the problem I have can ONLY be solved by having the right tool, which I can't afford at the moment. Or that the problem I have can ONLY be solved by having a quality example of the right tool, which isn't in the stars at the moment. Those times are a bit frustrating.

Shotgun Updating

Check me out, two posts in one month! It's starting to get crazy around here!

The formatting on these pictures is going to make me nuts if I goof around with it. So I'm not. Here's the rundown.

Couple sheets of paper with barely visible sketches... sketches for my next couple of projects. Hopefully those projects will be visible.

Bunch o' sticks.... if you can guess what tool I made there, you win a prize!* Double prize if you can guess whether it worked or not.

The re-do on the frame / edge. It took much less time than the first time, and is a thousand times better, but I'm still cross to have had to re-do it. Ahh, well. Live and learn. And re-do crap sometimes.

Quick watercolor painting to test out a brush brought from Beijing by a friend who visited there recently. That sucker can lay down some SERIOUS paint! Highly diggable. It will be my go-to brush of choice for watercolor tidal waves.










224214152 - sorry I didn't answer your question sooner, more pictures to come... behind the windows are pigeon holes.... square openings (16cm I think, a bit deeper than that?).

There will be more pictures when I have the front panel opening and closing and stuff.

Yes.





* There is no prize.

new toy!

I tried a smallish, probably too-complicated design with my shiny new pack of Pentel Fabric Fun wax dye sticks. It's like a pastel that can be used on fabric, and set into the fiber with a hot iron.

Predictably, they are inclined to be a little muddy in application, especially as they are *very* soft, and can't hold a point at all. So... any amount of precision I want has to be attainable with a tip the size of a pencil eraser. On the other hand, it sets REALLY fast, almost unbelievably fast, and does not bleed at all. And blending is pretty easy.

I tried to make transfers a couple of different ways, but it seems to resist that very capably. I suspect it sort of collapses on itself when it gets heated, so instead of transferring, I just ended up with a few little pills of color and a largely-unmarked cloth. Ahh, well. Will be working with shielding when I am ready to try again. Probably need to put the colors first and the black on top, which is the opposite of how I normally work.

OK, so I lied.

Weeks ago, I made a noise about uploading some pictures of my recent design projects. And then I didn't do it. This should come as no surprise to anyone who has been keeping up with this blog...

Anyway, I took a bunch of pictures today, and as it always does, that made me want to work on some projects I'd done designs for and not actually made an object with.

The picture here is a sheet of embossing foil that I've drawing a bit of knotwork on/into. It's far too flimsy to do anything with, and also I've poked a bunch of holes it in with my embossing stylus. (Not to be confused with an out-of-ink ballpoint!)

Anyway, while I was playing with that, I figured it might be fun to make some kind of low relief thing like this, and then fill it with wax or plaster, making a small shiny object. I did some trials, to test the level of detail and so on, and even poured wax in, and got some small shiny objects out. So there is definitely more coming on that front. However--there are no pictures of that trial run, because I tossed all the 'evidence' in the trash. Scented votive candles are not the right source of wax for this kind of thing.

This was sort of meant to be a bookmark or something, but I'm not satisfied with it, so, it's probably going on the vast heap of Projects Which Taught Me Valuable Lessons About Something.

Wait for it....

OK, then. This is nearly done. There is one patch of blue that needs to be finished, and one patch of red. (I was working on this on my trip to Vienna, and ran out of those 2 colors.)

I kind of hate the green blobs on the right side, and they were NOT part of the original outline. See what I get for my troubles? I may well pick them out, too. The red net is better than I thought, but still not ideal. Etc, etc. Always a critic.

... and then what? I don't know. Stretch & frame? Sew it on to something else, applique style? See if I can get one of my friends who's done textile art to incorporate it into something grander?

There are a few things I would do differently, now that I've done them this way (thanks, learning experiences!), but that's OK. There will be a next time, and I am definitely getting the hang of some of the techniques. As soon as I finish those last two little bits of missing colors, and probably pick out the green blobs, I'm going to (a) get a color-correct photo of this, and (b) put it to bed. Maybe I'll just start a big collection of smallish, irrational embroidery pieces, which will be of great interest to archaeologists and psychologists in some long-distant future.

In other news, when I was in Vienna (Austria, the rest of this paragraph won't make sense if you think I'm talking about some other Vienna), I stopped by the Museum für Angewandte Kunst (Museum of Applied Art) and lucked out: They had a huge exhibit in their textiles ward on Ottoman embroidered textiles. Clothing, furniture ornamentation, bath towels, and so on.

Last time it was fashions made from recycled materials, and although a ball gown made of grocery bags is certainly Something To See, it has a little less immediacy to my own projects. Although I *do* like to reuse common materials, especially if they are meant to be trash. Nevermind, I think you get the point.

Not only did I see a tremendous collection of inspiring designs and workmanship, but learned a few nifty things. I now know where the term "bath sheet" comes from! It was a great exhibit. My only regret is that old fibers can be very delicate in many ways, so the pieces were behind glass in a dimly lit room. But that's OK, it was worth every minute of squinting.

Here is a link to the museum page for this exhibit. I'll update this later if I can find their English language version. There are a couple of pictures there, and a bit of descriptive text. Also, the MAK is awesome for being free to the public on Saturdays. MAK really is one of my favorite museums, both in focus and operation. [eta: in English]

Latest Fixation: Embroidery

Sometime in the past few months, I got hooked on the idea that embroidery and other sewing-related activities might be fun and visually entertaining.

(In case you ever wondered, my Big Artistic Mission is "make stuff that is interesting to look at"...)

So, I picked up one book about embroidery, and was handed the book from a starter kit. Between the two, and an 8 hour transatlantic flight, I was able to pick out a few tentative designs. At the very top (12 o'clock position) are the very first stitches I made. It pretty much had to get better from there...

The First Time Always Sucks

Here's my first go at this, from sketch to trace to wax to plaster model. I'm not even going to bother cleaning up the plaster. The wax isn't what I wanted (size constraint) and the mold making process did not go smoothly--the plaster is weak and crumbly and full of air holes. However, lessons were learned, and I'm hoping more lessons will be learned in the near future. Especially looking forward to the lesson about how this is going to turn out just as awesome as I'd hoped.

Probably going to cast this in resin, in the end. Durable enough, available enough. Has ALL the advantages... :)

If at first you don't succeed...

... keep making little disasters until you run out of paper/patience. Figured this was better than posting each one of these individually before they go in the bin. There are about 4 square inches of awesome up there. I maybe cut them out and glue them together. The detail on the pic isn't great, even if you click through, but that's OK, they look better that way. Promise.

Monoprinting?

First try. Not bad, considering how poorly the next several turned out. I taped a pattern to a sheet of glass, and painted the design on the other side of the glass in watercolor. I tried to pull the print by placing heavy things on top of it all, with the paper being wet enough, I thought, to suck up the paint, most of which had already dried. This *might* have worked if I'd rubbed the paper with a smooth thing, instead of letting it sit--the paper tore a bit when I peeled it up, because it had adhered to the glass, instead of just taking the paint and running off with it.


This is the 2nd try. The paper was FAR too wet, and the paint was... unwilling. After this, I decided I should probably just go read about how to make watercolor monoprints at home without any print equipment, instead of screwing around wasting a lot of time, energy, paint, and paper. Oh, and enthusiam. For reasons I can't guess, I'm really into this idea right now.


After doing a bunch of reading about how watercolor monoprints can be made, I tried a few of the recommendations. All together. On one plate. As you can see, it made a relatively uniformly unattractive print. Those recommendations were: a thin base layer of hand soap as a release agent, rub the paper by hand for the transfer, use paper designed specifically for watercolor paint. Although totally uncool, it encouraged me anyway. I'm easy, I guess.


A print to give me hope! Water-based pens on the left, water soluble/watercolor crayon on the right. The unevenness of the transfer comes from me using a bone folder tool to rub the transfer over. If you click through to the full size pic, you'll see how that's not a very good way to lay the color down, even if it seemed good at the time. I don't have a brayer, or a rolling pin, or anything. Outsider art, baybee!


This is the first really successful test. The big pink blob is from the paper being a little too wet, but that also was informative. The ghost image at the top is a 2nd pull from the original drawing with easy-wash-out kid's pens. The really vibrant bits of this were added in after I pulled the print, with those same pens. The actual base print was made with watercolor crayons, though.

In progress, which is another way of saying...

... incomplete.

I've been trying to work out how to fill/color this one for over a week now, and it's very frustrating. I haven't found anything totally satisfying yet. This first version is a test of various types of shading, and various types of color (watercolor, pens, colored pencils...) It's not coherent, but it was kind of informative.

I do wish I'd taken a photo of the second version (the one that's got low-key colors and a lot of grey tones) before I started coloring it, because it was all grey tones--I'd inked it with dilute india ink and a paint brush, and where each 'tile' overlapped another, the ink was a tiny bit darker.



It looked nifty, but kind of flat, so I started coloring it. and it's not
bad with this color scheme, but I'm also not satisfied...
so I started adding more tint and shading on top of the color
with a super fine black pen.








After that, I tried a version with all color, and no black or ink. I like that one, but couldn't really decide which color scheme was best, so I tried several.

There were a few other color tests along the way (Blogger only lets me put 5 pictures/post, and the other two weren't all that exciting anyway, so I'm leaving them out.) However! This post might at least be informative for those who think visual art springs fully formed from the brain to the finished product. O! how I wish that were true. It takes so many steps, and so much time, to even begin to approach the realization of the idea.


Before all that, of course, the original pencil version, and an ink tracing to use so the original/design don't get lost or damaged.

just a doodle

Just screwing around with ink & watercolor, washes, fills, silhouettes, etc. Quite like some of it, haven't figured out where/how to use it.

When I get too much into the subtle shading, I start feeling like Rothko, but then I put some real color into it and can go on living. Anyway, it was an experiment. I didn't like it.

Two days' worth...

This is a poor photograph if a watercolor study that I started yesterday. I may or may not actually complete it, there are a number of technical and compositional errors. And, besides that, it's just a study--I wanted to know how this would look, if I put a bit more depth into the mosaic style I was working with last year.

There is a great deal of potential in this, and I suspect this will lead to another composition of a more complete nature in the near future. I may even get ambitious and take a better picture of this one.

Or. You know. Not. You can never can tell with me. Unending surprises around here...

Part 1: Soft & Hard

I am finally indulging my fascination with moss. Today I hot-glued broken glass to half a broken plate, and filled the spaces in between with starter moss. The glass is not frosted; it's been sprayed with a moss starter fluid that involves something like buttermilk, so it looks frosted right now. It'll get cleaned up later. The glass shards actually have very raw edges. Pretty sure hot glue wasn't the right thing, but it was the thing I had on hand.

The moss will eventually fill in and grow, as long as I remember to keep it damp. Since I grew this moss from a small dried chunk I found on the sidewalk a month ago, and still have enough left to grow more starter moss, I have some confidence that I might be able to manage this. As I told Regan a couple of days ago, unlike a lot of modern cultivated house plants, moss is a much older life form, and has seen far, far worse conditions than my attempts to cultivate.

There are other potential projects with moss in my brain right now, but I wanted to start with something that I wouldn't have to buy any parts for. I have a bag of broken glass and a glue gun, but most of my ideas revolve around carved designs in less delicate materials. We'll see what comes next, assuming I don't kill all the moss and/or lose a finger caring for the thing.

Test Pattern

There is a 5 panel water color composition I've been working on. By working on, I mean, staring at in frustration. Friday I got frustrated by that, and decided just to set it all aside and do some painting. For want of a better plan, I decided to play around a little with the color qualities and pigment separation of some of my paints. So, I made a grid, with circles, mixed the paint, and painted.

I can't say it did anything at all to advance the 5 panel project, except that it diverted my energy, alleviated some of the frustration, and gave me a sense of purpose that consumed a fair amount of my time on Friday. I'm not totally clear how doing something more or less completely NOT the thing I was trying to do helped me, but I was satisfied with it, and I approve of feeling satisfied.

Sketching with Oil Pastels

I'm trying to make friends with my oil pastels, because they seem like the kind crayons that I would like. The colors, the blending, the relevance to paint colors. Seems like a good way to make sketches for things I want to paint properly later on.

The problem is... I always hate new media. Almost always. I never hated metal or glass. But even new pencils are problematic for me at first.

Although this first picture looks kind of sloppy and disjoint, it has an alibi: The left side was drawn with my left hand, the right side with my right. I wanted to give both sides of my brain a little workout. There are only a few places where the two sides diverged significantly, and most of the size/shape/angle differences I chalk up to the fact that I do have a dominant hand.

This is just more goofing with the oil pastels. I suspect this would look a lot better in paint. And I might try it sometime. Without all the white around the edges, though. It's pleasingly amorphous and twine-y.