More From the Grotto

I started to get some images of some of the prints today ... and discovered that everything was wrong. Still got a few shots, but not nearly as many as I have printed designs. Will have to come back to that project, with some mat board and mounting tape and a bright overcast day, and a LOT more patience.

That said, here are a few little tastes.

A tiny print, don't think the image is even 3" on a side. 

Close up of the tiny print. This image looks grainier than the actual print does. Did I mention, everything was wrong?

One of my recent favorites. Have done this in several colors / color combos. Can't decide which way is up, which is usually a sign that I have done something right.

Detail from the one above. 

This one is another favorite. That plate got changed many, many times, and reprinted after each change. This was my favorite iteration, but I didn't love it at the time, so I only got one good print pulled before it went under the knife again.

Same as the one I posted yesterday, in a much more ... painterly execution. Probably not finished yet, I think I want to add some highlights and outlining by hand. 

Short show & tell, I know. Next step is to get enough mat board to get them all mounted, so they look like something. Maybe even something other people would want.

Printing Progress.

Block print. LDPE block, Speedball ink (elderly), generic printer paper.

My studio is gradually filling with prints. Some are much more interesting than others. This is one that I made yesterday, and love. This may be the first one that I have had little interest in re-working the block after seeing the print. I really do need to try some new ink, though. What I have seems to be almost totally lacking in whatever keeps it workable. Gum arabic? Water? Magic beans? No idea. The New Ink Smell has escaped.

... on the bright side, Akua water soluble intaglio ink actually makes pretty good block prints. Sadly, I only have black at the moment. And at $20 / pot, it is likely to remain that way for a while.

In a totally other direction, el Jefe suggests that things like this would make fantastic stained glass panels. In fact, I think he is right, and I will see about revising this into a glass pattern ... in my free time.

Recent Works On Paper. With Paper. Whatever.

Various permutations of block printing and embossing. The embossing made my brain tingle a little more than the printing, but where they are combined, that was pretty sweet, too. Not as easy to see in these photos, which were made with a telephone.

A heap of attempts. Some were more rewarding than others. It is difficult to tell if the ink is dorked, it was just too hot in the studio, or I don't know what I am doing. Or, you know, All of the Above.

These are cool enough, I figure they deserve large size! The two images were made from the same embossing plate, but the 2nd one had more carving done to it before going through the press. 

The purple is the same plate, block printed. I think this was one of the first prints I pulled with block printing ink. I tried intalio first to see if I liked it (yeah, yeah, I *know* that is not correct usage!) and I did like it, but the photos of those prints are pretty much impossible to decipher. 

Dry Point Pt 2

I made this plate today, and printed it this evening. I am pleased. (Photographs this time, rather than scans. Much better!)

First run, on heavy heavy paper.

Second run, on super light paper.

Hard to say which is "better" until they are at least both matted, if not framed. Both have pros and cons. Harder to see the pros of the 2nd print in a photo, in person it is the cleaner print. (Light conditions not exactly studio quality.)

More Printing

Although things here have been a little chaotic, and also much, much too hot and dry, I have managed to get myself out to the studio a bit, and pull a few more prints. I think they are getting better, but I am no Master Printer. Yet.

This is the first print I have pulled of that acrylic dry point plate (that I posted about a couple of weeks ago). It is not so much composed as it is a collection of line sizes / weights / directions / etc. A sampler, if you will. There is so much new in this process for me that I most likely will claim every print as a test print for the next 30 years... This one looks especially funky because it does not fit totally on my scanner bed, and I did not want to mash it down, so the left side curved up and away, and seems blurry. In the actual print, it is not.

Revisiting these blocks. 

The two prints above are reprints of the same one I posted last week, with different technique, and the addition of retarder. Those both were beneficial changes to the process, I think.

This last one, however, actually has had a bunch of new cuts done to the block since last time I printed it. I tries printing this on top of prints I had already pulled (with the old cut), but this is a linocut, and the linoleum has become tremendously warped -- makes alignment / registration difficult. This print looks a little funny because the upper left corner is slightly over-inked, but also because this is a mixture of blue and black inks (plus retarder) just to see how that would go. I kinda like it, except the over-inked bit.

Finally Admitting to 2013

Maybe I was just really disappointed that the world did not end back in December? Maybe I just Have A Problem with winter? Probably we will never know why there has been no blogging for three months, although most likely the fact that I find the term 'blogging' fairly distasteful, something I am supposed to do when I am not feeling well.

Oh, jeeze, I think I'm gonna blog..!

ANYWAY, there are a few haps happening.

Exhibit 1A: A Silly Afghan

This is a work in progress, and although I expect it to become considerably larger, it is unlikely that it will get any less silly. Probably more so, if I had to guess.

Exhibits 2A, 2B, 2C, 2D: These Flowers

Regular Kind Watercolor

Watercolor Pencils

Still Life of Cut Flowers And Fruit Which Keeps Getting Eaten

Sketched with 4B .05mm mechanical pencil. Ask me about my Kuru Toga!

 I decided to work more on my life drawing skills, and last week picked up a cheap model at the hippie grocery store. (The flowers, I mean, what were YOU thinking??) I also have gotten much better about taking my sketchbook with me and sketching people and things and places when I am out in the world with a few minutes to spare. I often get busted drawing people, especially in restaurants, because I am the type to look at the subject a lot and the paper very little. Eventually I'll share some of my public sketching practice, but the pictures are all you get for now.

I also joined a newly formed Urban Sketchers group here in town. I have only made it to one of their meetings so far, but I think I will get to more of them as the weather for hanging around outside becomes more enticing. In two weeks, we're planning to meet up at the central transit center in town, should be interesting.

Also working on getting studio space in order in the garage. I think I'll need to start with electricity and insulation, and then ventilation, and then furniture. Currently I am using some large cardboard boxes as a make-shift workbench, and running an extension cord from the laundry room whenever I need juice. Of course, working in the garage is another thing that becomes more interesting as the weather improves, because that space is not heated. Signed up for some studio hours at the university metal studio, but have done very little there, so far. Ideas are pouring out my ears, but my time and their availability hasn't lined up so well, so far. I think that will change this week.

Enh, what else is going on?

Went to a lovely show at the Albuquerque Museum, Deco Japan. The link I'm giving is for someone else's exhibition of this show, which is a traveling exhibit. It maybe will come to you, unless it already came past you. If you're a big fan of deco style graphics and prints, the show has a tremendous collection of magazine covers, matchbook covers, songbook covers, posters, and adverts. If you're more into the functional and 3D stuff, they had some fairly nifty containers, screens, kimonos, and smallish sculptures. My personal favorites were the flying fish themed items. A quick image search on 'deco japan' will get you a pretty solid idea of what's out there.

Did a wee bit of gallery-crawling this past week. Revisited my fixation on Travis Black's watercolor images of birds. Was gifted a lovely print of one of the hummingbird images by someone awesome. (Squee!!) Failed to get into the local artist quonset hut, but I will. Now that I know they close at 3pm. (Who does that??) Tripped over work by printer / painter Diana Stetson, who has some extremely harmonious work. Definitely nature-oriented, but it is actually the compositions and executions which are harmonious to me. There were plenty of other interesting works to see in the world, and Mariposa Gallery in Nob Hill had quite a few. In addition to Diana Stetson and some other intriguing artists, Mariposa also currently has an exhibit hanging from Amanda Banker, who seems to have a bit of a fixation with animal-headed portrait figures. That show is worth it if only for the smoking-jacket three quarter posed octopus headed portrait. (Which does not appear on her website, by the way, so if you want to see it, you need to go there and see it!)

Is that all? Well, it has to be enough for now, I suppose. There will be more posts on all these topics, I suspect. Probably the next exciting thing is going to be a mechanical pencil review. If that doesn't strike you as exciting, this probably isn't the blog for you.

Did we talk about this?

I don't think we did talk about it. This is a small (5x7"ish) watercolor + ink piece. Recently finished, not yet matted. I really dig it. Hopefully you do, too.

Neato Graphic Artist!

Although I picked something else to preview for you here, I found this guy's portrait work to be awefully intense. I love it. I'm not a big fan of portraiture, but in this case, I'll allow it.
More drawings... on the Behance Network

I *think* that's finished.

Pretty sure this is done? Haven't sealed it yet, haven't matted it yet. Want to be sure. It's like they say... takes two to make a painting. One to paint it, one to shoot the sumbitch so she'll put the brush down when it's time to stop...

A detail that has been tough to capture in the photo is that the background are off-white silver stripes against the white-white paper. It's much easier to see in the previous post, with the detail shot, but the colors and saturation are pretty whacky with that one.

I'm very pleased with this. It was fun, and although it took about 3x as long as I expected, it is also about 3x cooler than I thought it would be, when I started it. Also, it's plain that all those people who told me I should go into print making were right.

PS, this picture is on the small side, the actual painting is about 6"x20". I'll post a bigger one tomorrow with mo' betta' details, but for tonight, I'm much, much too tired to keep messing with this.

Still Not Dead

Also, still not finished with that project. Today might be the day, though. I think it's just down to fixing in those last 8 pieces of glass. You know, the ones that don't fit anymore? because the wood changed size due to moisture content, or paint, or whatever? Yeah. Those. Anyway. That.

So.

While I'm all busy cursing about that, I'll leave you with this. In Vienna, Austria last week, there was lots of art-boggling, and a purchase was made of a fine art print from Michael Ferner. This is my second M. Ferner print, the first being the two koi print from back in January.

I am now going to point you to his web site. If you do nothing else, simply reload his front page over and over, because the images there are gorgeous. The dragons, the bamboo, the seahorses, the owl. These are some of my favorites.


This is a tiny image (from his site) of the print we bought in Wien last week. Never bought a print with a pedigree before! The print itself is largish, for us, anyway, 70cm X 150cm. It's going to look very, very cool hanging in our Laubengang, which is a long hallway thing, paneled entirely in wood, with windows and doors along both sides.

From the sketchbook

In no particular order, some sketches from recent times.

... and then you threw an octopus at my window.

Been working on a variety of things, none of which are complete. Possibly as a consequence of multi-tasking? But paint has to dry, dammit! Here's one avenue I've been treading... dabbling in a combo of ink and watercolor that has been entertaining me.

Basically, the technique is to draw some lines/forms in non-waterproof ink, and then fill or not-fill the spaces with watercolor paint, which draws in some of the ink. It's a little blurrier than I'd like in some places, but some bits of it work quite well, I think. The top one is smallish, maybe a 5"x7" paper, and the top one is like a page of notebook paper size. I think I'll have more use for this technique in the future, I find it both satisfying to do as well as pleasing to have done. These are good things.

Yo Dawg...

Almost every time I run errands, I pass a framing shop. They have a rotating stock of framed art in the windows, and this one caught my eye more than anything else they've had there in the last 18 months or so. I peeped it every time I walked by for more than a month before I realized, hey, I could just BUY that. And look at it at home... it is like magic. This is a print -- I believe it is etched.

It's about 18"x16" or so.

It's always so nice at the beginning.

As always, click for bigger.

This is the canvas I've just started a few days ago. It's not going to be B&W, I haven't even started painting yet. It's going to be acrylic paint. I really like the design, though. This is why I filled sketch book after sketch book, for years, with black line drawings, and consumed countless black Sharpies along the way... I'd start something like this, intending to color it in, and then fall in love with the B&W, and not be able to bear adding color. What if I didn't love it?!

Then I learned about photocopying...

This won't photocopy, though. It's 30cm x 150cm.

Another Incomplete

This is the current project. The drawing is good, I will probably use it for multiple versions of the finished piece. I *was* trying to set up something for an oil or acrylic painting, but this is too fine detailed for my oil paint skills, and for some reason I'm a little sour on acrylics right now. So, another watercolor/ink deal. Which is FINE. It just wasn't what I'd intended when I started.


Here is a detail from the ink wash part of this (click it for full size). I'm probably going to start coloring it in today, although I'm not yet 100% what the color scheme will be. Probably something I'll be excited by at the beginning and annoyed with at the end, or the other way 'round...

In progress, which is another way of saying...

... incomplete.

I've been trying to work out how to fill/color this one for over a week now, and it's very frustrating. I haven't found anything totally satisfying yet. This first version is a test of various types of shading, and various types of color (watercolor, pens, colored pencils...) It's not coherent, but it was kind of informative.

I do wish I'd taken a photo of the second version (the one that's got low-key colors and a lot of grey tones) before I started coloring it, because it was all grey tones--I'd inked it with dilute india ink and a paint brush, and where each 'tile' overlapped another, the ink was a tiny bit darker.



It looked nifty, but kind of flat, so I started coloring it. and it's not
bad with this color scheme, but I'm also not satisfied...
so I started adding more tint and shading on top of the color
with a super fine black pen.








After that, I tried a version with all color, and no black or ink. I like that one, but couldn't really decide which color scheme was best, so I tried several.

There were a few other color tests along the way (Blogger only lets me put 5 pictures/post, and the other two weren't all that exciting anyway, so I'm leaving them out.) However! This post might at least be informative for those who think visual art springs fully formed from the brain to the finished product. O! how I wish that were true. It takes so many steps, and so much time, to even begin to approach the realization of the idea.


Before all that, of course, the original pencil version, and an ink tracing to use so the original/design don't get lost or damaged.

Blame Your Friends, Part 2

This is the final result of the input from Joc, combined with something Leesa mentioned (her instructor being fond of masking fluid). I probably need to find a way to put masking fluid more precisely, but this isn't bad at all. At least, not to my taste.

Blame Your Friends, Part 1

This is a sketch I did after Maia Joc* said my last finished piece looked a bit like a sacred lotus. This one is more lotus-y, and also more insectoid, somehow. Go figure.

I spent hours on this drawing, and then decided I wasn't happy with it, and had a small, but very satisfying revelation: I could just start over! This isn't news, exactly, but it is the kind of thing I have to re-know every once in a while. Anyway, it led to the next piece...

* sorry, both of you. I'll find something to blame on Maia eventually.

These aren't new, but...

These 5 paintings aren't new, but I just framed them last night. Framing them has revealed to me that I will be painting at least 2, and probably 3 new components for this set, because what's there either doesn't fit, or doesn't please me. That's just how it goes, I guess.

I've been stalling on framing these for 3 or 4 months, probably because I already knew I wasn't going to be happy, and didn't want to deal with it. Guess it's time to own up and finish it.