More From the Grotto

I started to get some images of some of the prints today ... and discovered that everything was wrong. Still got a few shots, but not nearly as many as I have printed designs. Will have to come back to that project, with some mat board and mounting tape and a bright overcast day, and a LOT more patience.

That said, here are a few little tastes.

A tiny print, don't think the image is even 3" on a side. 

Close up of the tiny print. This image looks grainier than the actual print does. Did I mention, everything was wrong?

One of my recent favorites. Have done this in several colors / color combos. Can't decide which way is up, which is usually a sign that I have done something right.

Detail from the one above. 

This one is another favorite. That plate got changed many, many times, and reprinted after each change. This was my favorite iteration, but I didn't love it at the time, so I only got one good print pulled before it went under the knife again.

Same as the one I posted yesterday, in a much more ... painterly execution. Probably not finished yet, I think I want to add some highlights and outlining by hand. 

Short show & tell, I know. Next step is to get enough mat board to get them all mounted, so they look like something. Maybe even something other people would want.

Printing Progress.

Block print. LDPE block, Speedball ink (elderly), generic printer paper.

My studio is gradually filling with prints. Some are much more interesting than others. This is one that I made yesterday, and love. This may be the first one that I have had little interest in re-working the block after seeing the print. I really do need to try some new ink, though. What I have seems to be almost totally lacking in whatever keeps it workable. Gum arabic? Water? Magic beans? No idea. The New Ink Smell has escaped.

... on the bright side, Akua water soluble intaglio ink actually makes pretty good block prints. Sadly, I only have black at the moment. And at $20 / pot, it is likely to remain that way for a while.

In a totally other direction, el Jefe suggests that things like this would make fantastic stained glass panels. In fact, I think he is right, and I will see about revising this into a glass pattern ... in my free time.

Recent Works On Paper. With Paper. Whatever.

Various permutations of block printing and embossing. The embossing made my brain tingle a little more than the printing, but where they are combined, that was pretty sweet, too. Not as easy to see in these photos, which were made with a telephone.

A heap of attempts. Some were more rewarding than others. It is difficult to tell if the ink is dorked, it was just too hot in the studio, or I don't know what I am doing. Or, you know, All of the Above.

These are cool enough, I figure they deserve large size! The two images were made from the same embossing plate, but the 2nd one had more carving done to it before going through the press. 

The purple is the same plate, block printed. I think this was one of the first prints I pulled with block printing ink. I tried intalio first to see if I liked it (yeah, yeah, I *know* that is not correct usage!) and I did like it, but the photos of those prints are pretty much impossible to decipher. 

Dry Point Pt 2

I made this plate today, and printed it this evening. I am pleased. (Photographs this time, rather than scans. Much better!)

First run, on heavy heavy paper.

Second run, on super light paper.

Hard to say which is "better" until they are at least both matted, if not framed. Both have pros and cons. Harder to see the pros of the 2nd print in a photo, in person it is the cleaner print. (Light conditions not exactly studio quality.)

More Printing

Although things here have been a little chaotic, and also much, much too hot and dry, I have managed to get myself out to the studio a bit, and pull a few more prints. I think they are getting better, but I am no Master Printer. Yet.

This is the first print I have pulled of that acrylic dry point plate (that I posted about a couple of weeks ago). It is not so much composed as it is a collection of line sizes / weights / directions / etc. A sampler, if you will. There is so much new in this process for me that I most likely will claim every print as a test print for the next 30 years... This one looks especially funky because it does not fit totally on my scanner bed, and I did not want to mash it down, so the left side curved up and away, and seems blurry. In the actual print, it is not.

Revisiting these blocks. 

The two prints above are reprints of the same one I posted last week, with different technique, and the addition of retarder. Those both were beneficial changes to the process, I think.

This last one, however, actually has had a bunch of new cuts done to the block since last time I printed it. I tries printing this on top of prints I had already pulled (with the old cut), but this is a linocut, and the linoleum has become tremendously warped -- makes alignment / registration difficult. This print looks a little funny because the upper left corner is slightly over-inked, but also because this is a mixture of blue and black inks (plus retarder) just to see how that would go. I kinda like it, except the over-inked bit.

Finally Admitting to 2013

Maybe I was just really disappointed that the world did not end back in December? Maybe I just Have A Problem with winter? Probably we will never know why there has been no blogging for three months, although most likely the fact that I find the term 'blogging' fairly distasteful, something I am supposed to do when I am not feeling well.

Oh, jeeze, I think I'm gonna blog..!

ANYWAY, there are a few haps happening.

Exhibit 1A: A Silly Afghan

This is a work in progress, and although I expect it to become considerably larger, it is unlikely that it will get any less silly. Probably more so, if I had to guess.

Exhibits 2A, 2B, 2C, 2D: These Flowers

Regular Kind Watercolor

Watercolor Pencils

Still Life of Cut Flowers And Fruit Which Keeps Getting Eaten

Sketched with 4B .05mm mechanical pencil. Ask me about my Kuru Toga!

 I decided to work more on my life drawing skills, and last week picked up a cheap model at the hippie grocery store. (The flowers, I mean, what were YOU thinking??) I also have gotten much better about taking my sketchbook with me and sketching people and things and places when I am out in the world with a few minutes to spare. I often get busted drawing people, especially in restaurants, because I am the type to look at the subject a lot and the paper very little. Eventually I'll share some of my public sketching practice, but the pictures are all you get for now.

I also joined a newly formed Urban Sketchers group here in town. I have only made it to one of their meetings so far, but I think I will get to more of them as the weather for hanging around outside becomes more enticing. In two weeks, we're planning to meet up at the central transit center in town, should be interesting.

Also working on getting studio space in order in the garage. I think I'll need to start with electricity and insulation, and then ventilation, and then furniture. Currently I am using some large cardboard boxes as a make-shift workbench, and running an extension cord from the laundry room whenever I need juice. Of course, working in the garage is another thing that becomes more interesting as the weather improves, because that space is not heated. Signed up for some studio hours at the university metal studio, but have done very little there, so far. Ideas are pouring out my ears, but my time and their availability hasn't lined up so well, so far. I think that will change this week.

Enh, what else is going on?

Went to a lovely show at the Albuquerque Museum, Deco Japan. The link I'm giving is for someone else's exhibition of this show, which is a traveling exhibit. It maybe will come to you, unless it already came past you. If you're a big fan of deco style graphics and prints, the show has a tremendous collection of magazine covers, matchbook covers, songbook covers, posters, and adverts. If you're more into the functional and 3D stuff, they had some fairly nifty containers, screens, kimonos, and smallish sculptures. My personal favorites were the flying fish themed items. A quick image search on 'deco japan' will get you a pretty solid idea of what's out there.

Did a wee bit of gallery-crawling this past week. Revisited my fixation on Travis Black's watercolor images of birds. Was gifted a lovely print of one of the hummingbird images by someone awesome. (Squee!!) Failed to get into the local artist quonset hut, but I will. Now that I know they close at 3pm. (Who does that??) Tripped over work by printer / painter Diana Stetson, who has some extremely harmonious work. Definitely nature-oriented, but it is actually the compositions and executions which are harmonious to me. There were plenty of other interesting works to see in the world, and Mariposa Gallery in Nob Hill had quite a few. In addition to Diana Stetson and some other intriguing artists, Mariposa also currently has an exhibit hanging from Amanda Banker, who seems to have a bit of a fixation with animal-headed portrait figures. That show is worth it if only for the smoking-jacket three quarter posed octopus headed portrait. (Which does not appear on her website, by the way, so if you want to see it, you need to go there and see it!)

Is that all? Well, it has to be enough for now, I suppose. There will be more posts on all these topics, I suspect. Probably the next exciting thing is going to be a mechanical pencil review. If that doesn't strike you as exciting, this probably isn't the blog for you.

ASUNM Sale Post-Mortem

In three days, I sold three paintings, about 30 snowflakes, and maybe 25 packets of 3 cookies (8 dozenish). I also gave away about that many cookies (as samples, freebies with other purchases, and as advertising, and as little thank-you gestures.) In the final accounting I came out ahead financially, although for the time spent, it is really of dubious value. (not even minimum wage) I certainly didn't make a substantial chunk of a year's art budget at this show, as some people clearly do.

I did get some good stuff, though.

a new experience!
rid of some of my made-things!
time to pick Jamie's brain!
two new cookie recipes!
a few new money-making ideas to chase down!
some new contacts in my field*!
three nifty reproduction prints to hang up in my naked-walled house!
some great compliments, including a marriage proposal!

* My field being People Who Make Stuff And Then Have To Figure Out How to Afford To Make More Stuff.

If you want to have any of the stuff I was selling for yourself, email me. I am working on getting stuff listed on Etsy, but it takes time, and sometimes is hard to find there. The fastest thing, and the thing I prefer, is that you just tell me what you want, we settle on a price and means of payment, and I send it to you. Because not only is that faster, but also it saves me the trouble of putting the listings together. (Administrivia is not my favorite thing...)

And, yes, I will make and ship cookies to you.

Now, here are some pictures from the three day sale, for your amusetertainment.

Five batches of cookies cooling on the counter. Left to right, PB + Mini PB Cups,  Choc Chunk + Boston Baked Beans, Tropical Mix, Bridge Mix, PB + Honey Roasted Peanuts

The final layout of our booth -- lots of stuff hung up on the backdrop, and the side fence and table moved to the back for maximum visibility from both sides. (we were in the back corner of the show)

First day arrangement - a little crowded! Impossible to tell what was going on from anywhere but straight on.

Jamie just finishing setting up on Day 1.

The long view of the hall from our booth - we were furthest from the windows, furthest from the entry doors...

Very nearly made it through the whole show without dumping all my stuff on the ground. ... but, didn't. Because my rolling cart was just not cart enough to withstand the world's most evil rumble strips.

The world's most evil rumble strips ... three rows of scattered rocks about the size of a gumball.

Anyhow, that's the round up. Out of my many, many ideas, I think the most pressingly interesting is the t-shirt printed with the Tight White Warrior Robot. Yes, there will be pictures.

Neato Graphic Artist!

Although I picked something else to preview for you here, I found this guy's portrait work to be awefully intense. I love it. I'm not a big fan of portraiture, but in this case, I'll allow it.
More drawings... on the Behance Network

New Year / New Blog

Hi there! I know it's been pretty quiet around here. Too quiet! There are some changes coming. I would say soon, but soon is relative. Here are the highlights.

• I'm opening two Etsy shops. One for 'fine art' — paintings, sculptures, prints, etc., and one for functional and silly items. This is taking some time, but I hope when I get it all up and running, it'll be easy for folks who are interested to browse & buy stuff I've made.
• I'm re-doing this blog. Can't say too much about it yet, because I just don't know the details yet, but as soon as I know, I'll post it here, and then you'll know.
• Metal work!! I have my tools and some supplies to get going with, so I'm very excited to say I'm getting back to my true love.
• Printmaking!! I'm ready to start experimenting with this. This goes nicely with some of the metalworking I plan to do.
  
• Other! It's going to be a busy year. I'm really excited about this. I've got cold glass work planned, custom-printed materials such as textiles and stationery goods, and a couple of guerrilla art maneuvers in the world. Oh, and maybe something that will lead to a book.
  

I realize that's a lot more exclamation points than I normally indulge in, but what can I say? That was a really good cup of coffee!!!! I mean, there's a lot going on. First, however, there is some administrative stuff to address. Because setting up an online store and a new blog isn't all about firing up the torch, sawing on stuff, or breaking out the paints. It's mostly about filling in the blanks, uploading the pictures, and double checking all the squinty little details.

For now, I'm going to leave you with this picture of the sun, moments after emerging from an eclipse, and a vague promise to post again just as soon as I can.

I *think* that's finished.

Pretty sure this is done? Haven't sealed it yet, haven't matted it yet. Want to be sure. It's like they say... takes two to make a painting. One to paint it, one to shoot the sumbitch so she'll put the brush down when it's time to stop...

A detail that has been tough to capture in the photo is that the background are off-white silver stripes against the white-white paper. It's much easier to see in the previous post, with the detail shot, but the colors and saturation are pretty whacky with that one.

I'm very pleased with this. It was fun, and although it took about 3x as long as I expected, it is also about 3x cooler than I thought it would be, when I started it. Also, it's plain that all those people who told me I should go into print making were right.

PS, this picture is on the small side, the actual painting is about 6"x20". I'll post a bigger one tomorrow with mo' betta' details, but for tonight, I'm much, much too tired to keep messing with this.

Old Dog / New Tricks

Took a two evening advanced course in acrylic abstract painting, with emphasis on landscape rendering. I went with a water theme, probably because I'd been listening to The Odyssey audio book all afternoon...

Although that style of painting does not especially interest me, the techniques presented did, and the instructor did a fine job of explaining them.

My canvas was, sadly, too small to try them all out at once, as most of them rely on allowing thin layers of paint dry between applications. Obviously this is tough with a small canvas! You can only get so far away from what you've just painted. Everyone else in the class was working with one or more canvasses in the 2'x3' size range, for the most part.

Here is the canvas I painted during class. Currently I have a couple of watercolors in progress, but when I have finished those, I am going to start some acrylic paintings. It seems that having a couple of canvasses going simultaneously is the cure for waiting, and I love trying new stuff. I did come out of the classes feeling pretty inspired to try these techniques, and full of ideas about how to put them to good use.

I admit it was hard not to giggle when several of the other course participants extended sincere sympathy to me, as an apparently obvious total beginner to painting. I took the small canvas (about a foot square) because I've not been feeling well lately, and didn't have a lot of energy for a large painting -- and I *hate* unfinished paintings. Also, carrying it to class and back home in the freezing damn cold on foot kinda sucks. $5 says everyone else in the class came in a car. Since I'd been doing watercolors during the day both days, I ended up painting the acrylic left-handed to give my right a break. Didn't really get into any of that with the other people in the class, though. I was just happy to be there.

There is a summer course, 3 days somewhere north of here, that I will probably sign up for, if I can work out transportation, and get registered before all the spots fill. It does look like fun.

Go See The Slide Show on Flickr!

WC11
Originally uploaded by Id Marks

With details, even. Yay!

To see the show - click on THIS picture, which will take you to the Flickr set for these things, and if you click on the first picture THERE, it brings up a nice screen where you can keep clicking next and seeing it all right there.

Let me know if you have questions or comments or are desirous of some art.

Also — I'll make a thing just for you. No need to buy stuff off the shelf. Talk to me.

Art Sale (finally)

I am going to be taking nearly four years of watercolor and ink paintings to the flea market and try to sell them to holiday gift-hungry strangers in the weekends between now and the end of December. However! If YOU are interested in any acquiring of my art for yourself or someone you know, now's a good time, because I'm in the mood to get it out of the house.

Everything on paper is matted by me (so, not professionally, although I do have a proper mat board cutter and the skills to make it go), and the dimensions can be / will be provided. As far as I know, everything I'm taking has already been posted in the art blog, but I'm going to try to put up a slide show of the work I'm taking to sell, so it can be seen in its fancy, matted, ready-to-frame glory. For the record -- the pictures of the art won't be amazing because my camera isn't a "real" camera, it's a point and shoot with a fixed lens, so everything looks a little curved in the middle. Maybe if I sell ALL the paintings, I can buy a grown-up camera!

Oh, to be clear -- these are all original works. There are no copies, no prints, no clever forgeries. One of a kind only.

Urban Sketching

I recently came across the Urban Sketchers blog, and have been inspired to haul my sketch book around town. Normally when I see a crapload of really amazing drawings and paintings that people have the nerve to refer to as "sketches", I retreat, feeling intimidated. For some reason this site fires me up about putting marks on the page. Today I sat on a cold cement bench in front of the Schwalbennest coffee shop and made a crude sketch of it for a while, 40 minutes maybe? My fun was cut short when a delivery truck rudely pulled up right in front of me. Bugger managed to block my line of site, the bike lane, AND was parked square in front of the no-parking sign. Dude was on a roll.

Anyway, I decided that it was fun, even if the sketch isn't amazing like a lot of what's on the Urban Sketchers site. I also decided that color is pretty important to these sketches. Since even a really basic watercolor kit is more crap than I want to juggle when I go out in the world, I decided to try taking the watercolor pencils with me. That should allow me to rough in the color, work dry (makes for quick get-aways!), and not worry about spilling stuff, etc. The ability to slap the notebook shut and cheese it is important to me.

Eventually I'll start posting some of these things here. Promise. The problem isn't that I hate it or anything like that, it's more that I'm too lazy to deal with the camera and the uploading and all that. Also, I'm really focused on a textile project right now, and I'd rather put the time into that instead.

And so I am. And yes, there will be pictures of that project, too! Until then, I highly recommend you hustle over to Urban Sketchers and dig the awesomeness. I've added a link to it from here in the link list on the right, so you can get to it any time you get the urge. It's that cool.

Still Not Dead

Also, still not finished with that project. Today might be the day, though. I think it's just down to fixing in those last 8 pieces of glass. You know, the ones that don't fit anymore? because the wood changed size due to moisture content, or paint, or whatever? Yeah. Those. Anyway. That.

So.

While I'm all busy cursing about that, I'll leave you with this. In Vienna, Austria last week, there was lots of art-boggling, and a purchase was made of a fine art print from Michael Ferner. This is my second M. Ferner print, the first being the two koi print from back in January.

I am now going to point you to his web site. If you do nothing else, simply reload his front page over and over, because the images there are gorgeous. The dragons, the bamboo, the seahorses, the owl. These are some of my favorites.


This is a tiny image (from his site) of the print we bought in Wien last week. Never bought a print with a pedigree before! The print itself is largish, for us, anyway, 70cm X 150cm. It's going to look very, very cool hanging in our Laubengang, which is a long hallway thing, paneled entirely in wood, with windows and doors along both sides.

Art, versus something I could do and get paid for.

Last week, it occurred to me that I could probably make some money by going to the fleamarkt on a Saturday morning, picking out some little prizes, and assembling them (on the spot), and (hopefully) selling them by the end of the day. At the fleamarkt. Somewhere in the intersection of crafting, performance art, recycling, and yard sale. Also, and perhaps most importantly, it could be quite fun. The fleamarkt is basically a pre-sorted landfill, so any and every random thing I could need or want to put into a project would be there. Lamp parts, coffee pots, thermos bottles, LPs. I am very fond of this idea. The only real downside I see here is that it is juuuuuust over my introvert / extrovert threshold. I suppose it wouldn't hurt to try it once and see if I can survive it.

Ideally, I wouldn't actually go there with a plan for a finished item, just see what's there and come up with a concept on the spot. However, for a first run, I imagine a basic plan might be a really good idea, so I'll at least know what tools to take, and what to budget for materials.

Things I already know I'll need:

• camera (for documentation)
• something to sit on (there is a little drinking area there, that might suffice)
• a wide brimmed hat (there is no shade)
• some money to buy base materials
• some courage to talk to strangers about what I'm doing / trying to sell
• a basic tool kit (a way to cut things apart, a way to join things together, a way to clean up rough edges, a way to clean up dirty bits, a few spare parts, and whatever else seems like a good idea)
• ... other? A bag lunch. 'cause if no one is going with me, I can't just walk away from my project to get lunch, I guess.

Does this idea sound interesting at all? The Mr. wasn't really into it, but he's not really a Maker.

New! Content with actual content!

OK, last post, total cop out. Fortunately, I don't think anyone looked at it too closely! :)

On the topic of making a living as a gallery artist, versus not:

As I gather my application materials for this studio space thing, I have been meeting with some surprising internal resistance. I DO want the space, that is not an issue. My issue is what I do with my art. For a long time, I've been frustrated by the gallery art world. There are things about it that make me very uncomfortable.

A big issue - prices. It pisses me off to see a scribbled cocktail napkin going for $10000. Even though I think, well, good for them, that someone can make a living at art. In *any* way. But it's irritating. Because I know that if *I* scribble on a cocktail napkin, I'd be lucky if no one charged ME for the privilege of throwing it away. This is NOTHING to do with talent or skill. It's all about place / time / connections. That $10k napkin is a $10k napkin because that artist was in some particular situation to make it that way. Maybe it won't last forever, that situation, but the artist sure as hell will want to sell as many $10k napkins as possible in the meanwhile.

But I don't want that. Watch closely, because here's where it gets very squadgy indeed.

The thing I don't want is something I regard as crap going for a lot of money. Maybe I could make an infinitely superior scribble on a cocktail napkin, but if *I* think it is crap, I would die of shame before selling it to someone, much less displaying it publicly.

But the work I do, the work that meets my standards ... doesn't seem to be in much demand. There are only so many options in this situation. Create demand, change the work, or do something else altogether. (These options all assume I want to make some money with my work, which I do. Not so much for the money-have, but simply not to be a continued financial drain on my world.)

And that's where I get stuck. I know this studio space is a step in the direction of being that gallery artist. Fundamentally, I think it would be great to make money off my work, and that is an avenue that I could pursue. But I don't want to be the cocktail napkin artist, producing crap and selling it for mad money. It was pointed out to me that, in that context, the price is part of the piece. I don't like that. I don't feel comfortable with the meshing of value and aesthetic. Because I don't value money much at all. It is useful, but it's not interesting.

So... whether I get this studio space or no, I am going to need to figure out what I DO want. What IS a good exchange for my effort? How can I recover expenses without losing self-respect, which I can't afford? Knowing what I *don't* want only gets me so far.

Oh, and that picture is the beginning piece of the first complete object I will have made with my scroll saw. It's not very exciting, but I admit it tickles me that removing 18 tiny strips of wood makes 9 flat pieces of wood into a little shelf-esque thing.

Portfolio...

I've been working on my portfolio for this studio residency application ... and because if I'm going to continue faking this Being An Artist thing, I can't really NOT have one. What you see here is a sample page from what I've been doing. It's not amazing, but it's a start. A whole bunch of these in one place actually looks like Something Official, anyway. That's gotta count for something, yeah?

Making a portfolio is kind of tedious, but I admit that it is helping me see how much I have done (because I'm having to weed out things that aren't the best, there are simply more pages than are reasonable), and it is reassuring to see that I am making good stuff, and I am making progress over time. And reminds me that I would like to get back to 3D now, please. (Come ON, studio space..!)

Click to see large, just like always. (... and then click THAT for the full size view!) Sometime maybe I can get all the pages up online so Interested Parties can browse my portfolio at leisure. As a side benefit, YOU will be able to get in it, too...

Still going, and hopefully going somewhere else, too.

Still working on this. I did most of the shaping and rough sanding over the weekend. Now I need to get busy with the drill, wooden pegs, and wood glue, and get it assembled.

Or, wait, maybe the 2nd sanding comes after the pegs are fitted, but before the wood glue.

Man, I don't know. Can you believe I do my own taxes, and can't even figure out the order of operations for a simple woodworking project?

I did learn that I probably want to spring for a shop vac one of these days. A little one.

In the spirit of collecting moral support, I want to share another project I'm working on. It's not quite as concrete as what's in the picture here. I'm applying for a studio space in a local art-in-residence program. You don't speak German, and this is not posted in English this year, so I'll just tell you the deal... it's rent-free studio space for up to a year, there are 8 studios on the 5th floor of the building in the picture. The 6th floor has live-in studios for 4 artists, as well. I hope to do work I can't really do at home (glass, metal, larger scale...) and interact with other artists, maybe get some shows and contacts and possibly collaborative projects out of it. Assuming I get the studio. The application is due by 31 May, so I'm hustling now to get a suitable portfolio and statement together. Thought I'd missed the deadline for this year. I don't know if they extended it, or if I was just confused, or what. Not going to waste time worrying about that.

I admit, I felt much more hopeful about this before I knew how many people applied last year. I'm sure it's even more this year. I'm just not a competitive person. Probably what I need to keep in mind is that I don't need to be cooler than everyone who applies. I just need to be cooler than enough of them to get a spot.

Also, in the course of digging up the necessary info about this artist in residence thing, I also discovered that this city has some great resources for artists. I am going on Thursday afternoon to find out what exactly I'm allowed to do legally (given my resident and work status here), and what my obligations are in terms of taxes, etc. Good info, and they provide it at no cost. Even if I find out that I can't do anything, at least I won't be out any money for the info, and will not be stuck wondering what the deal is and how to find out for sure.

Juxtapoz saves the day!

I was poking around the bookstore this morning, looking for something to improve my mood and restore my faith in the goodness of humanity. And, there it was! A Kehinde Wiley painting on the cover of Juxtapoz.

I believe I've spouted about both Juxtapoz magazine (my favorite art mag), and Kehinde Wiley (a kickass painter who combines concept and technique to come up with some incredible portraits). But, if you somehow missed that, here is another round.

It is not my way to say "Go buy this thing," but in this case, I'd say this issue of Juxtapoz would be a good investment. Juxtapoz has connected me with some artists I'm really drawn to, who have become part of my set of influences. Mark Ryden, Stanislav Szukalski, Kris Kuksi, Brandon Bird (I think? Can't prove it), and many others.

In any case, even if you don't care for Kehinde Wiley or Juxtapoz, I guaranteed you know someone who does. Buy the issue, and keep it on your coffee table, on your bookshelf, or in your guest bathroom. You will soon learn who among your friends has great taste in contemporary art.