Recent Works On Paper. With Paper. Whatever.

Various permutations of block printing and embossing. The embossing made my brain tingle a little more than the printing, but where they are combined, that was pretty sweet, too. Not as easy to see in these photos, which were made with a telephone.

A heap of attempts. Some were more rewarding than others. It is difficult to tell if the ink is dorked, it was just too hot in the studio, or I don't know what I am doing. Or, you know, All of the Above.

These are cool enough, I figure they deserve large size! The two images were made from the same embossing plate, but the 2nd one had more carving done to it before going through the press. 

The purple is the same plate, block printed. I think this was one of the first prints I pulled with block printing ink. I tried intalio first to see if I liked it (yeah, yeah, I *know* that is not correct usage!) and I did like it, but the photos of those prints are pretty much impossible to decipher. 

More Printing

Although things here have been a little chaotic, and also much, much too hot and dry, I have managed to get myself out to the studio a bit, and pull a few more prints. I think they are getting better, but I am no Master Printer. Yet.

This is the first print I have pulled of that acrylic dry point plate (that I posted about a couple of weeks ago). It is not so much composed as it is a collection of line sizes / weights / directions / etc. A sampler, if you will. There is so much new in this process for me that I most likely will claim every print as a test print for the next 30 years... This one looks especially funky because it does not fit totally on my scanner bed, and I did not want to mash it down, so the left side curved up and away, and seems blurry. In the actual print, it is not.

Revisiting these blocks. 

The two prints above are reprints of the same one I posted last week, with different technique, and the addition of retarder. Those both were beneficial changes to the process, I think.

This last one, however, actually has had a bunch of new cuts done to the block since last time I printed it. I tries printing this on top of prints I had already pulled (with the old cut), but this is a linocut, and the linoleum has become tremendously warped -- makes alignment / registration difficult. This print looks a little funny because the upper left corner is slightly over-inked, but also because this is a mixture of blue and black inks (plus retarder) just to see how that would go. I kinda like it, except the over-inked bit.

Finally Admitting to 2013

Maybe I was just really disappointed that the world did not end back in December? Maybe I just Have A Problem with winter? Probably we will never know why there has been no blogging for three months, although most likely the fact that I find the term 'blogging' fairly distasteful, something I am supposed to do when I am not feeling well.

Oh, jeeze, I think I'm gonna blog..!

ANYWAY, there are a few haps happening.

Exhibit 1A: A Silly Afghan

This is a work in progress, and although I expect it to become considerably larger, it is unlikely that it will get any less silly. Probably more so, if I had to guess.

Exhibits 2A, 2B, 2C, 2D: These Flowers

Regular Kind Watercolor

Watercolor Pencils

Still Life of Cut Flowers And Fruit Which Keeps Getting Eaten

Sketched with 4B .05mm mechanical pencil. Ask me about my Kuru Toga!

 I decided to work more on my life drawing skills, and last week picked up a cheap model at the hippie grocery store. (The flowers, I mean, what were YOU thinking??) I also have gotten much better about taking my sketchbook with me and sketching people and things and places when I am out in the world with a few minutes to spare. I often get busted drawing people, especially in restaurants, because I am the type to look at the subject a lot and the paper very little. Eventually I'll share some of my public sketching practice, but the pictures are all you get for now.

I also joined a newly formed Urban Sketchers group here in town. I have only made it to one of their meetings so far, but I think I will get to more of them as the weather for hanging around outside becomes more enticing. In two weeks, we're planning to meet up at the central transit center in town, should be interesting.

Also working on getting studio space in order in the garage. I think I'll need to start with electricity and insulation, and then ventilation, and then furniture. Currently I am using some large cardboard boxes as a make-shift workbench, and running an extension cord from the laundry room whenever I need juice. Of course, working in the garage is another thing that becomes more interesting as the weather improves, because that space is not heated. Signed up for some studio hours at the university metal studio, but have done very little there, so far. Ideas are pouring out my ears, but my time and their availability hasn't lined up so well, so far. I think that will change this week.

Enh, what else is going on?

Went to a lovely show at the Albuquerque Museum, Deco Japan. The link I'm giving is for someone else's exhibition of this show, which is a traveling exhibit. It maybe will come to you, unless it already came past you. If you're a big fan of deco style graphics and prints, the show has a tremendous collection of magazine covers, matchbook covers, songbook covers, posters, and adverts. If you're more into the functional and 3D stuff, they had some fairly nifty containers, screens, kimonos, and smallish sculptures. My personal favorites were the flying fish themed items. A quick image search on 'deco japan' will get you a pretty solid idea of what's out there.

Did a wee bit of gallery-crawling this past week. Revisited my fixation on Travis Black's watercolor images of birds. Was gifted a lovely print of one of the hummingbird images by someone awesome. (Squee!!) Failed to get into the local artist quonset hut, but I will. Now that I know they close at 3pm. (Who does that??) Tripped over work by printer / painter Diana Stetson, who has some extremely harmonious work. Definitely nature-oriented, but it is actually the compositions and executions which are harmonious to me. There were plenty of other interesting works to see in the world, and Mariposa Gallery in Nob Hill had quite a few. In addition to Diana Stetson and some other intriguing artists, Mariposa also currently has an exhibit hanging from Amanda Banker, who seems to have a bit of a fixation with animal-headed portrait figures. That show is worth it if only for the smoking-jacket three quarter posed octopus headed portrait. (Which does not appear on her website, by the way, so if you want to see it, you need to go there and see it!)

Is that all? Well, it has to be enough for now, I suppose. There will be more posts on all these topics, I suspect. Probably the next exciting thing is going to be a mechanical pencil review. If that doesn't strike you as exciting, this probably isn't the blog for you.

ASUNM Sale Post-Mortem

In three days, I sold three paintings, about 30 snowflakes, and maybe 25 packets of 3 cookies (8 dozenish). I also gave away about that many cookies (as samples, freebies with other purchases, and as advertising, and as little thank-you gestures.) In the final accounting I came out ahead financially, although for the time spent, it is really of dubious value. (not even minimum wage) I certainly didn't make a substantial chunk of a year's art budget at this show, as some people clearly do.

I did get some good stuff, though.

a new experience!
rid of some of my made-things!
time to pick Jamie's brain!
two new cookie recipes!
a few new money-making ideas to chase down!
some new contacts in my field*!
three nifty reproduction prints to hang up in my naked-walled house!
some great compliments, including a marriage proposal!

* My field being People Who Make Stuff And Then Have To Figure Out How to Afford To Make More Stuff.

If you want to have any of the stuff I was selling for yourself, email me. I am working on getting stuff listed on Etsy, but it takes time, and sometimes is hard to find there. The fastest thing, and the thing I prefer, is that you just tell me what you want, we settle on a price and means of payment, and I send it to you. Because not only is that faster, but also it saves me the trouble of putting the listings together. (Administrivia is not my favorite thing...)

And, yes, I will make and ship cookies to you.

Now, here are some pictures from the three day sale, for your amusetertainment.

Five batches of cookies cooling on the counter. Left to right, PB + Mini PB Cups,  Choc Chunk + Boston Baked Beans, Tropical Mix, Bridge Mix, PB + Honey Roasted Peanuts

The final layout of our booth -- lots of stuff hung up on the backdrop, and the side fence and table moved to the back for maximum visibility from both sides. (we were in the back corner of the show)

First day arrangement - a little crowded! Impossible to tell what was going on from anywhere but straight on.

Jamie just finishing setting up on Day 1.

The long view of the hall from our booth - we were furthest from the windows, furthest from the entry doors...

Very nearly made it through the whole show without dumping all my stuff on the ground. ... but, didn't. Because my rolling cart was just not cart enough to withstand the world's most evil rumble strips.

The world's most evil rumble strips ... three rows of scattered rocks about the size of a gumball.

Anyhow, that's the round up. Out of my many, many ideas, I think the most pressingly interesting is the t-shirt printed with the Tight White Warrior Robot. Yes, there will be pictures.

Now it's *really* snowing!

Although it has been a while since I posted about the snowflake project, I have been beavering away at it like some kind of an large nocturnal semi-aquatic mammal. As proof of this, I submit to you photographs. They're mostly weird angle macro photos because ... well. I am an Artiste, what can I say?

In any case, the photos are largely of snowflakes I made today, which I have just soaked in the stiffening solution and pinned out to dry. I am thinking I need to charge by the number of pins necessary to achieve the desired shape, because that seems to be the most time consuming part of this process.

Also pictured: A spinner display rack I scored at a thrift store for $6.50! Sweeet. As usual, click through to see the larger versions of these pictures. It is amazing how not-interesting glitter looks when it is sufficiently magnified!

I am not 100% on this yet, something like 92%, but I think I am also going to sell some cookies at the craft show next month. Just to see how that goes over. Assuming I can remove enough of the glitter from my person to make cookies without them being something like White Chocolate Glitter Chunk Surprise cookies.

Did we talk about this?

I don't think we did talk about it. This is a small (5x7"ish) watercolor + ink piece. Recently finished, not yet matted. I really dig it. Hopefully you do, too.

First, pictures of my new sketchbook! I made this over the weekend. It took me longer than it probably should have, considering how complicated it isn't, but it's been a while since I made a book. Also, I didn't have the right glue, and had to do some dodgey substituting, and then also spray the covers in waterproofing stuff. .... don't ask.

The front cover.

The back cover. The covers are made with a fabric scrap I bought in the Ikea clearance room a long time ago. I bought it with no particular purpose in mind, but knew I would find something eventually. And, so I have. Vindication!

Laying open. Because it's a coptic binding, it opens pretty much totally flat, which is nice. The crease in the standard hardcover sketchbook is problematic. I'd been buying spiral bound for a while, but I don't really love them, they are just a compromise between not opening all the way, and using plain old loose leaves of paper. Which I might do next time.

Here's a shot of the spine, in case you were wondering what coptic binding means in practice. Each signature (group of pages) is stitched from the inside to the outside, connecting to the signatures that come before and after it. The first and last signatures are attached directly to the cover boards. It provides exceptional flexibility of the spine, and can also be used for a book of almost any thickness.

This picture shows the inside of the back coverboard, and some of my drafting tools. Not that you really needed to know about that, I just liked the shot.


I know it's been a while since I posted the current work in progress, and technically I am not really doing that now. HOWEVER! Here is a picture of my workspace as it sits right at the moment. The panels along the back are the pieces of a custom crate, the center of the desk has a belt buckle design I am finalizing with hopes of begining the actual piece today, and the rack on the right has a bunch of work on paper that needs to be matted, imaged for the portfolio, and filed. Also, some Sequential Tart review materials are there, and my new sketchbook that I made over the weekend.

All the little containers are writing implements, tools, etc. The pink things on the top / left are tape dispensers, which I have needed for a long time. (Yes, it IS "the little things" that make happy happen.)

Little file cabinet is full of more tools / utensils, paints, inks, etc. Trash can on the left, and the cubbies on the desk supports are full of random crap that I need without warning ... but then set aside without warning. It's a functional system, don't judge!

Chair is a swiveling kneeling desk chair. It's not super duper comfortable, but it does save my back and hips. And shoulders and neck. Also, it's really good for keeping my herniated cervical disk from pinching the nerve in my right hand. So ... comfort isn't always immediate gratification.

back in the saddle

I have a provisional goal of doing one small project every day. I accept that this won't happen every day, but it's nice to get to the end of a day and have a Finished Thing to show for it. This is today's Thing -- a bookmark. This is made from copper, and not super-high-polish finished. It's a relatively crude prototype for the next project of the day. Tomorrow, I'll probably go in copper again. Eventually, when I'm happy with the prototypes, I'll move on to silver.

If you're interested to see some COOL metal bookmarks, try here.

I *think* that's finished.

Pretty sure this is done? Haven't sealed it yet, haven't matted it yet. Want to be sure. It's like they say... takes two to make a painting. One to paint it, one to shoot the sumbitch so she'll put the brush down when it's time to stop...

A detail that has been tough to capture in the photo is that the background are off-white silver stripes against the white-white paper. It's much easier to see in the previous post, with the detail shot, but the colors and saturation are pretty whacky with that one.

I'm very pleased with this. It was fun, and although it took about 3x as long as I expected, it is also about 3x cooler than I thought it would be, when I started it. Also, it's plain that all those people who told me I should go into print making were right.

PS, this picture is on the small side, the actual painting is about 6"x20". I'll post a bigger one tomorrow with mo' betta' details, but for tonight, I'm much, much too tired to keep messing with this.

Old Dog / New Tricks

Took a two evening advanced course in acrylic abstract painting, with emphasis on landscape rendering. I went with a water theme, probably because I'd been listening to The Odyssey audio book all afternoon...

Although that style of painting does not especially interest me, the techniques presented did, and the instructor did a fine job of explaining them.

My canvas was, sadly, too small to try them all out at once, as most of them rely on allowing thin layers of paint dry between applications. Obviously this is tough with a small canvas! You can only get so far away from what you've just painted. Everyone else in the class was working with one or more canvasses in the 2'x3' size range, for the most part.

Here is the canvas I painted during class. Currently I have a couple of watercolors in progress, but when I have finished those, I am going to start some acrylic paintings. It seems that having a couple of canvasses going simultaneously is the cure for waiting, and I love trying new stuff. I did come out of the classes feeling pretty inspired to try these techniques, and full of ideas about how to put them to good use.

I admit it was hard not to giggle when several of the other course participants extended sincere sympathy to me, as an apparently obvious total beginner to painting. I took the small canvas (about a foot square) because I've not been feeling well lately, and didn't have a lot of energy for a large painting -- and I *hate* unfinished paintings. Also, carrying it to class and back home in the freezing damn cold on foot kinda sucks. $5 says everyone else in the class came in a car. Since I'd been doing watercolors during the day both days, I ended up painting the acrylic left-handed to give my right a break. Didn't really get into any of that with the other people in the class, though. I was just happy to be there.

There is a summer course, 3 days somewhere north of here, that I will probably sign up for, if I can work out transportation, and get registered before all the spots fill. It does look like fun.

Time Well Spent

I've been in a lot of waiting rooms lately. I've come to love the sound of someone's eyeball creeping off a back issue of Waiting Room Quarterly and onto my paper.

*creeeeeeeeeeeeeeeeeeeeep*

Still Not Dead

Also, still not finished with that project. Today might be the day, though. I think it's just down to fixing in those last 8 pieces of glass. You know, the ones that don't fit anymore? because the wood changed size due to moisture content, or paint, or whatever? Yeah. Those. Anyway. That.

So.

While I'm all busy cursing about that, I'll leave you with this. In Vienna, Austria last week, there was lots of art-boggling, and a purchase was made of a fine art print from Michael Ferner. This is my second M. Ferner print, the first being the two koi print from back in January.

I am now going to point you to his web site. If you do nothing else, simply reload his front page over and over, because the images there are gorgeous. The dragons, the bamboo, the seahorses, the owl. These are some of my favorites.


This is a tiny image (from his site) of the print we bought in Wien last week. Never bought a print with a pedigree before! The print itself is largish, for us, anyway, 70cm X 150cm. It's going to look very, very cool hanging in our Laubengang, which is a long hallway thing, paneled entirely in wood, with windows and doors along both sides.

Step 1 - Collect all the underpants!

I've just finished the scrollwork for a picture frame I've been wanting to make for a while. I don't think this is the frame I originally dreamed of, but it will be cool anyway. And I can always make more! I like this very much, although it is pretty far from done. Next time I'll probably keep track of how many hours go into something like this. I didn't this time, but I know it was *many*.

That's 4 pieces of thin plywood that were stacked up and staples driven into the edges. The design was applied to the top layer, and I drilled holes to feed the saw blade into the interior of each enclosed space to cut out, starting with the smallest / furthest inside first, and working my way out. The last step was to cut the outsides, gradually replacing staples with tape so the stack would stay in alignment.

The roundy thing in the center, below the flash glare is a quarter, for size reference. Next step.... paint it, I think. Then paint something to glue it to.

New! Content with actual content!

OK, last post, total cop out. Fortunately, I don't think anyone looked at it too closely! :)

On the topic of making a living as a gallery artist, versus not:

As I gather my application materials for this studio space thing, I have been meeting with some surprising internal resistance. I DO want the space, that is not an issue. My issue is what I do with my art. For a long time, I've been frustrated by the gallery art world. There are things about it that make me very uncomfortable.

A big issue - prices. It pisses me off to see a scribbled cocktail napkin going for $10000. Even though I think, well, good for them, that someone can make a living at art. In *any* way. But it's irritating. Because I know that if *I* scribble on a cocktail napkin, I'd be lucky if no one charged ME for the privilege of throwing it away. This is NOTHING to do with talent or skill. It's all about place / time / connections. That $10k napkin is a $10k napkin because that artist was in some particular situation to make it that way. Maybe it won't last forever, that situation, but the artist sure as hell will want to sell as many $10k napkins as possible in the meanwhile.

But I don't want that. Watch closely, because here's where it gets very squadgy indeed.

The thing I don't want is something I regard as crap going for a lot of money. Maybe I could make an infinitely superior scribble on a cocktail napkin, but if *I* think it is crap, I would die of shame before selling it to someone, much less displaying it publicly.

But the work I do, the work that meets my standards ... doesn't seem to be in much demand. There are only so many options in this situation. Create demand, change the work, or do something else altogether. (These options all assume I want to make some money with my work, which I do. Not so much for the money-have, but simply not to be a continued financial drain on my world.)

And that's where I get stuck. I know this studio space is a step in the direction of being that gallery artist. Fundamentally, I think it would be great to make money off my work, and that is an avenue that I could pursue. But I don't want to be the cocktail napkin artist, producing crap and selling it for mad money. It was pointed out to me that, in that context, the price is part of the piece. I don't like that. I don't feel comfortable with the meshing of value and aesthetic. Because I don't value money much at all. It is useful, but it's not interesting.

So... whether I get this studio space or no, I am going to need to figure out what I DO want. What IS a good exchange for my effort? How can I recover expenses without losing self-respect, which I can't afford? Knowing what I *don't* want only gets me so far.

Oh, and that picture is the beginning piece of the first complete object I will have made with my scroll saw. It's not very exciting, but I admit it tickles me that removing 18 tiny strips of wood makes 9 flat pieces of wood into a little shelf-esque thing.

New saw, new project, new hopes and dreams.

New saw showed up yesterday, new project started today. I'm having fun, and looking forward to seeing how this turns out. I don't know why, but it really amuses me that the saw has a pictogram of a person reading a book. This must be my saw....

ETA - already had to play a round of Digging Through The Vacuum Bag To Find That Piece I Didn't Mean To Suck Up But Did. I hope I don't have to play THAT game again any time soon. Yech.

Yo Dawg...

Almost every time I run errands, I pass a framing shop. They have a rotating stock of framed art in the windows, and this one caught my eye more than anything else they've had there in the last 18 months or so. I peeped it every time I walked by for more than a month before I realized, hey, I could just BUY that. And look at it at home... it is like magic. This is a print -- I believe it is etched.

It's about 18"x16" or so.

It's always so nice at the beginning.

As always, click for bigger.

This is the canvas I've just started a few days ago. It's not going to be B&W, I haven't even started painting yet. It's going to be acrylic paint. I really like the design, though. This is why I filled sketch book after sketch book, for years, with black line drawings, and consumed countless black Sharpies along the way... I'd start something like this, intending to color it in, and then fall in love with the B&W, and not be able to bear adding color. What if I didn't love it?!

Then I learned about photocopying...

This won't photocopy, though. It's 30cm x 150cm.

Serendipitous Glimpses

Maybe this falls in the category of shoe-gazing, perhaps literally, but I love making pictures of little things I see on the ground when I'm out and about. They are invariably tiny details of the life of the sidewalk, but they please me a great deal.

Dunno if they are Art, except in the sense that they are capable of bringing to visibility that which only a few people ever apprehend directly.

Old Glass, New Sun

Danielle sent me some stuff from my life-before-2D, and one of those things was a bundle with 4 panels of stained glass that I made a while back. It's not any kind of great composition, just a technical exercise, really. But it made me happy to see it anyway. Who knows, maybe it makes you happy to see it, too.

The panels are about 3"x5" each.

Test Pattern

There is a 5 panel water color composition I've been working on. By working on, I mean, staring at in frustration. Friday I got frustrated by that, and decided just to set it all aside and do some painting. For want of a better plan, I decided to play around a little with the color qualities and pigment separation of some of my paints. So, I made a grid, with circles, mixed the paint, and painted.

I can't say it did anything at all to advance the 5 panel project, except that it diverted my energy, alleviated some of the frustration, and gave me a sense of purpose that consumed a fair amount of my time on Friday. I'm not totally clear how doing something more or less completely NOT the thing I was trying to do helped me, but I was satisfied with it, and I approve of feeling satisfied.