More From the Grotto

I started to get some images of some of the prints today ... and discovered that everything was wrong. Still got a few shots, but not nearly as many as I have printed designs. Will have to come back to that project, with some mat board and mounting tape and a bright overcast day, and a LOT more patience.

That said, here are a few little tastes.

A tiny print, don't think the image is even 3" on a side. 

Close up of the tiny print. This image looks grainier than the actual print does. Did I mention, everything was wrong?

One of my recent favorites. Have done this in several colors / color combos. Can't decide which way is up, which is usually a sign that I have done something right.

Detail from the one above. 

This one is another favorite. That plate got changed many, many times, and reprinted after each change. This was my favorite iteration, but I didn't love it at the time, so I only got one good print pulled before it went under the knife again.

Same as the one I posted yesterday, in a much more ... painterly execution. Probably not finished yet, I think I want to add some highlights and outlining by hand. 

Short show & tell, I know. Next step is to get enough mat board to get them all mounted, so they look like something. Maybe even something other people would want.

Printing Progress.

Block print. LDPE block, Speedball ink (elderly), generic printer paper.

My studio is gradually filling with prints. Some are much more interesting than others. This is one that I made yesterday, and love. This may be the first one that I have had little interest in re-working the block after seeing the print. I really do need to try some new ink, though. What I have seems to be almost totally lacking in whatever keeps it workable. Gum arabic? Water? Magic beans? No idea. The New Ink Smell has escaped.

... on the bright side, Akua water soluble intaglio ink actually makes pretty good block prints. Sadly, I only have black at the moment. And at $20 / pot, it is likely to remain that way for a while.

In a totally other direction, el Jefe suggests that things like this would make fantastic stained glass panels. In fact, I think he is right, and I will see about revising this into a glass pattern ... in my free time.

Dry Point Pt 2

I made this plate today, and printed it this evening. I am pleased. (Photographs this time, rather than scans. Much better!)

First run, on heavy heavy paper.

Second run, on super light paper.

Hard to say which is "better" until they are at least both matted, if not framed. Both have pros and cons. Harder to see the pros of the 2nd print in a photo, in person it is the cleaner print. (Light conditions not exactly studio quality.)

More Printing

Although things here have been a little chaotic, and also much, much too hot and dry, I have managed to get myself out to the studio a bit, and pull a few more prints. I think they are getting better, but I am no Master Printer. Yet.

This is the first print I have pulled of that acrylic dry point plate (that I posted about a couple of weeks ago). It is not so much composed as it is a collection of line sizes / weights / directions / etc. A sampler, if you will. There is so much new in this process for me that I most likely will claim every print as a test print for the next 30 years... This one looks especially funky because it does not fit totally on my scanner bed, and I did not want to mash it down, so the left side curved up and away, and seems blurry. In the actual print, it is not.

Revisiting these blocks. 

The two prints above are reprints of the same one I posted last week, with different technique, and the addition of retarder. Those both were beneficial changes to the process, I think.

This last one, however, actually has had a bunch of new cuts done to the block since last time I printed it. I tries printing this on top of prints I had already pulled (with the old cut), but this is a linocut, and the linoleum has become tremendously warped -- makes alignment / registration difficult. This print looks a little funny because the upper left corner is slightly over-inked, but also because this is a mixture of blue and black inks (plus retarder) just to see how that would go. I kinda like it, except the over-inked bit.

Finally Admitting to 2013

Maybe I was just really disappointed that the world did not end back in December? Maybe I just Have A Problem with winter? Probably we will never know why there has been no blogging for three months, although most likely the fact that I find the term 'blogging' fairly distasteful, something I am supposed to do when I am not feeling well.

Oh, jeeze, I think I'm gonna blog..!

ANYWAY, there are a few haps happening.

Exhibit 1A: A Silly Afghan

This is a work in progress, and although I expect it to become considerably larger, it is unlikely that it will get any less silly. Probably more so, if I had to guess.

Exhibits 2A, 2B, 2C, 2D: These Flowers

Regular Kind Watercolor

Watercolor Pencils

Still Life of Cut Flowers And Fruit Which Keeps Getting Eaten

Sketched with 4B .05mm mechanical pencil. Ask me about my Kuru Toga!

 I decided to work more on my life drawing skills, and last week picked up a cheap model at the hippie grocery store. (The flowers, I mean, what were YOU thinking??) I also have gotten much better about taking my sketchbook with me and sketching people and things and places when I am out in the world with a few minutes to spare. I often get busted drawing people, especially in restaurants, because I am the type to look at the subject a lot and the paper very little. Eventually I'll share some of my public sketching practice, but the pictures are all you get for now.

I also joined a newly formed Urban Sketchers group here in town. I have only made it to one of their meetings so far, but I think I will get to more of them as the weather for hanging around outside becomes more enticing. In two weeks, we're planning to meet up at the central transit center in town, should be interesting.

Also working on getting studio space in order in the garage. I think I'll need to start with electricity and insulation, and then ventilation, and then furniture. Currently I am using some large cardboard boxes as a make-shift workbench, and running an extension cord from the laundry room whenever I need juice. Of course, working in the garage is another thing that becomes more interesting as the weather improves, because that space is not heated. Signed up for some studio hours at the university metal studio, but have done very little there, so far. Ideas are pouring out my ears, but my time and their availability hasn't lined up so well, so far. I think that will change this week.

Enh, what else is going on?

Went to a lovely show at the Albuquerque Museum, Deco Japan. The link I'm giving is for someone else's exhibition of this show, which is a traveling exhibit. It maybe will come to you, unless it already came past you. If you're a big fan of deco style graphics and prints, the show has a tremendous collection of magazine covers, matchbook covers, songbook covers, posters, and adverts. If you're more into the functional and 3D stuff, they had some fairly nifty containers, screens, kimonos, and smallish sculptures. My personal favorites were the flying fish themed items. A quick image search on 'deco japan' will get you a pretty solid idea of what's out there.

Did a wee bit of gallery-crawling this past week. Revisited my fixation on Travis Black's watercolor images of birds. Was gifted a lovely print of one of the hummingbird images by someone awesome. (Squee!!) Failed to get into the local artist quonset hut, but I will. Now that I know they close at 3pm. (Who does that??) Tripped over work by printer / painter Diana Stetson, who has some extremely harmonious work. Definitely nature-oriented, but it is actually the compositions and executions which are harmonious to me. There were plenty of other interesting works to see in the world, and Mariposa Gallery in Nob Hill had quite a few. In addition to Diana Stetson and some other intriguing artists, Mariposa also currently has an exhibit hanging from Amanda Banker, who seems to have a bit of a fixation with animal-headed portrait figures. That show is worth it if only for the smoking-jacket three quarter posed octopus headed portrait. (Which does not appear on her website, by the way, so if you want to see it, you need to go there and see it!)

Is that all? Well, it has to be enough for now, I suppose. There will be more posts on all these topics, I suspect. Probably the next exciting thing is going to be a mechanical pencil review. If that doesn't strike you as exciting, this probably isn't the blog for you.

ASUNM Sale Post-Mortem

In three days, I sold three paintings, about 30 snowflakes, and maybe 25 packets of 3 cookies (8 dozenish). I also gave away about that many cookies (as samples, freebies with other purchases, and as advertising, and as little thank-you gestures.) In the final accounting I came out ahead financially, although for the time spent, it is really of dubious value. (not even minimum wage) I certainly didn't make a substantial chunk of a year's art budget at this show, as some people clearly do.

I did get some good stuff, though.

a new experience!
rid of some of my made-things!
time to pick Jamie's brain!
two new cookie recipes!
a few new money-making ideas to chase down!
some new contacts in my field*!
three nifty reproduction prints to hang up in my naked-walled house!
some great compliments, including a marriage proposal!

* My field being People Who Make Stuff And Then Have To Figure Out How to Afford To Make More Stuff.

If you want to have any of the stuff I was selling for yourself, email me. I am working on getting stuff listed on Etsy, but it takes time, and sometimes is hard to find there. The fastest thing, and the thing I prefer, is that you just tell me what you want, we settle on a price and means of payment, and I send it to you. Because not only is that faster, but also it saves me the trouble of putting the listings together. (Administrivia is not my favorite thing...)

And, yes, I will make and ship cookies to you.

Now, here are some pictures from the three day sale, for your amusetertainment.

Five batches of cookies cooling on the counter. Left to right, PB + Mini PB Cups,  Choc Chunk + Boston Baked Beans, Tropical Mix, Bridge Mix, PB + Honey Roasted Peanuts

The final layout of our booth -- lots of stuff hung up on the backdrop, and the side fence and table moved to the back for maximum visibility from both sides. (we were in the back corner of the show)

First day arrangement - a little crowded! Impossible to tell what was going on from anywhere but straight on.

Jamie just finishing setting up on Day 1.

The long view of the hall from our booth - we were furthest from the windows, furthest from the entry doors...

Very nearly made it through the whole show without dumping all my stuff on the ground. ... but, didn't. Because my rolling cart was just not cart enough to withstand the world's most evil rumble strips.

The world's most evil rumble strips ... three rows of scattered rocks about the size of a gumball.

Anyhow, that's the round up. Out of my many, many ideas, I think the most pressingly interesting is the t-shirt printed with the Tight White Warrior Robot. Yes, there will be pictures.

Did we talk about this?

I don't think we did talk about it. This is a small (5x7"ish) watercolor + ink piece. Recently finished, not yet matted. I really dig it. Hopefully you do, too.

Neato Graphic Artist!

Although I picked something else to preview for you here, I found this guy's portrait work to be awefully intense. I love it. I'm not a big fan of portraiture, but in this case, I'll allow it.
More drawings... on the Behance Network

I finally posted my first piece to Etsy to sell. It's the one you see pictured here. If you click the Etsy link to the left, under See Me On ... it will take you to my shop, which so far has only this one posting.

But! I would be very open to suggestions. Let me know if you have ideas for improving this (or any) item I list.

Thar she blows ...

shell marker 1
Originally uploaded by Id Marks

Here's the other bookmark that was scratching to get out. Cut by hand, needs clean up in a big way! And, I need better saw blades.

As usual, click through to Flickr for full size, and another view.

New bookmark today!

Here's one for you cephalopod fans ...

The major cuts on this were done on the scroll saw, and the interior / fine cuts were done with the hand saw. Definite good marks for speed and a clean edge. The drawback to using the scroller for this is that it uses the middle inch of a 6" blade -only- leaving most of the teeth totally unused by the time the blade is worn down to the point where I can't use it on the scroll saw anymore. I did not try using that blade in the hand saw afterward, mostly because I have a good sense of what happens when you have a blade that's sharp at both ends and dull in the middle.

Hint: It's not something good!

In an act of optimism, I am leaving my set-up set up so that when I get back from running errands, I can get right back to it. There is another design in my sketchbook waiting to be released into the world! I am really looking forward to that beautiful day in the future when my obsessions get rooms of their own, and I don't have to put away my toys if I want to eat dinner.

Groundhog's Day Again

That was a little joke, y'see.

Here's today's project, another prototype bookmark. Spent a lot of time doing sketches, and this is just one of the ideas I scratched out. It was easier than yesterday's, and perhaps easier than tomorrow's. I am particularly pleased with how much this one matches the sketch.



Again, a prototype. A few technical details stand between me and a finished piece, not least the question of how to harden the metal. I find myself actually wondering if I can use a stand mixer in place of a polishing tumbler.

More pictures in Flickr, just click through the pic from here.

back in the saddle

I have a provisional goal of doing one small project every day. I accept that this won't happen every day, but it's nice to get to the end of a day and have a Finished Thing to show for it. This is today's Thing -- a bookmark. This is made from copper, and not super-high-polish finished. It's a relatively crude prototype for the next project of the day. Tomorrow, I'll probably go in copper again. Eventually, when I'm happy with the prototypes, I'll move on to silver.

If you're interested to see some COOL metal bookmarks, try here.

New Year / New Blog

Hi there! I know it's been pretty quiet around here. Too quiet! There are some changes coming. I would say soon, but soon is relative. Here are the highlights.

• I'm opening two Etsy shops. One for 'fine art' — paintings, sculptures, prints, etc., and one for functional and silly items. This is taking some time, but I hope when I get it all up and running, it'll be easy for folks who are interested to browse & buy stuff I've made.
• I'm re-doing this blog. Can't say too much about it yet, because I just don't know the details yet, but as soon as I know, I'll post it here, and then you'll know.
• Metal work!! I have my tools and some supplies to get going with, so I'm very excited to say I'm getting back to my true love.
• Printmaking!! I'm ready to start experimenting with this. This goes nicely with some of the metalworking I plan to do.
  
• Other! It's going to be a busy year. I'm really excited about this. I've got cold glass work planned, custom-printed materials such as textiles and stationery goods, and a couple of guerrilla art maneuvers in the world. Oh, and maybe something that will lead to a book.
  

I realize that's a lot more exclamation points than I normally indulge in, but what can I say? That was a really good cup of coffee!!!! I mean, there's a lot going on. First, however, there is some administrative stuff to address. Because setting up an online store and a new blog isn't all about firing up the torch, sawing on stuff, or breaking out the paints. It's mostly about filling in the blanks, uploading the pictures, and double checking all the squinty little details.

For now, I'm going to leave you with this picture of the sun, moments after emerging from an eclipse, and a vague promise to post again just as soon as I can.

I *think* that's finished.

Pretty sure this is done? Haven't sealed it yet, haven't matted it yet. Want to be sure. It's like they say... takes two to make a painting. One to paint it, one to shoot the sumbitch so she'll put the brush down when it's time to stop...

A detail that has been tough to capture in the photo is that the background are off-white silver stripes against the white-white paper. It's much easier to see in the previous post, with the detail shot, but the colors and saturation are pretty whacky with that one.

I'm very pleased with this. It was fun, and although it took about 3x as long as I expected, it is also about 3x cooler than I thought it would be, when I started it. Also, it's plain that all those people who told me I should go into print making were right.

PS, this picture is on the small side, the actual painting is about 6"x20". I'll post a bigger one tomorrow with mo' betta' details, but for tonight, I'm much, much too tired to keep messing with this.

Old Dog / New Tricks

Took a two evening advanced course in acrylic abstract painting, with emphasis on landscape rendering. I went with a water theme, probably because I'd been listening to The Odyssey audio book all afternoon...

Although that style of painting does not especially interest me, the techniques presented did, and the instructor did a fine job of explaining them.

My canvas was, sadly, too small to try them all out at once, as most of them rely on allowing thin layers of paint dry between applications. Obviously this is tough with a small canvas! You can only get so far away from what you've just painted. Everyone else in the class was working with one or more canvasses in the 2'x3' size range, for the most part.

Here is the canvas I painted during class. Currently I have a couple of watercolors in progress, but when I have finished those, I am going to start some acrylic paintings. It seems that having a couple of canvasses going simultaneously is the cure for waiting, and I love trying new stuff. I did come out of the classes feeling pretty inspired to try these techniques, and full of ideas about how to put them to good use.

I admit it was hard not to giggle when several of the other course participants extended sincere sympathy to me, as an apparently obvious total beginner to painting. I took the small canvas (about a foot square) because I've not been feeling well lately, and didn't have a lot of energy for a large painting -- and I *hate* unfinished paintings. Also, carrying it to class and back home in the freezing damn cold on foot kinda sucks. $5 says everyone else in the class came in a car. Since I'd been doing watercolors during the day both days, I ended up painting the acrylic left-handed to give my right a break. Didn't really get into any of that with the other people in the class, though. I was just happy to be there.

There is a summer course, 3 days somewhere north of here, that I will probably sign up for, if I can work out transportation, and get registered before all the spots fill. It does look like fun.

Time Well Spent

I've been in a lot of waiting rooms lately. I've come to love the sound of someone's eyeball creeping off a back issue of Waiting Room Quarterly and onto my paper.

*creeeeeeeeeeeeeeeeeeeeep*

Go See The Slide Show on Flickr!

WC11
Originally uploaded by Id Marks

With details, even. Yay!

To see the show - click on THIS picture, which will take you to the Flickr set for these things, and if you click on the first picture THERE, it brings up a nice screen where you can keep clicking next and seeing it all right there.

Let me know if you have questions or comments or are desirous of some art.

Also — I'll make a thing just for you. No need to buy stuff off the shelf. Talk to me.

Art Sale (finally)

I am going to be taking nearly four years of watercolor and ink paintings to the flea market and try to sell them to holiday gift-hungry strangers in the weekends between now and the end of December. However! If YOU are interested in any acquiring of my art for yourself or someone you know, now's a good time, because I'm in the mood to get it out of the house.

Everything on paper is matted by me (so, not professionally, although I do have a proper mat board cutter and the skills to make it go), and the dimensions can be / will be provided. As far as I know, everything I'm taking has already been posted in the art blog, but I'm going to try to put up a slide show of the work I'm taking to sell, so it can be seen in its fancy, matted, ready-to-frame glory. For the record -- the pictures of the art won't be amazing because my camera isn't a "real" camera, it's a point and shoot with a fixed lens, so everything looks a little curved in the middle. Maybe if I sell ALL the paintings, I can buy a grown-up camera!

Oh, to be clear -- these are all original works. There are no copies, no prints, no clever forgeries. One of a kind only.

Urban Sketching

I recently came across the Urban Sketchers blog, and have been inspired to haul my sketch book around town. Normally when I see a crapload of really amazing drawings and paintings that people have the nerve to refer to as "sketches", I retreat, feeling intimidated. For some reason this site fires me up about putting marks on the page. Today I sat on a cold cement bench in front of the Schwalbennest coffee shop and made a crude sketch of it for a while, 40 minutes maybe? My fun was cut short when a delivery truck rudely pulled up right in front of me. Bugger managed to block my line of site, the bike lane, AND was parked square in front of the no-parking sign. Dude was on a roll.

Anyway, I decided that it was fun, even if the sketch isn't amazing like a lot of what's on the Urban Sketchers site. I also decided that color is pretty important to these sketches. Since even a really basic watercolor kit is more crap than I want to juggle when I go out in the world, I decided to try taking the watercolor pencils with me. That should allow me to rough in the color, work dry (makes for quick get-aways!), and not worry about spilling stuff, etc. The ability to slap the notebook shut and cheese it is important to me.

Eventually I'll start posting some of these things here. Promise. The problem isn't that I hate it or anything like that, it's more that I'm too lazy to deal with the camera and the uploading and all that. Also, I'm really focused on a textile project right now, and I'd rather put the time into that instead.

And so I am. And yes, there will be pictures of that project, too! Until then, I highly recommend you hustle over to Urban Sketchers and dig the awesomeness. I've added a link to it from here in the link list on the right, so you can get to it any time you get the urge. It's that cool.